"The Choir of King’s College Cambridge sample some of the best interpretations of Mozart’s original sketches"
"Vampire Weekend’s songwriting is up there among the most agile at the commercial end of US indie"
"On Brandt Brauer Frick's Miami, the classical instruments provide a counterpoint to the muscular synths and squelchy sound effects"
"Laura Mvula utilises the modern studio’s full potential to craft Brian Wilson-esque roaming orchestral arrangements"
"Tegan and Sara Quin are so insanely upbeat it borders on deranged, but the feel-good vibe is irresistible"
"Nick Cave and the Bad Seeds' 15th album feels raw, yet has an intimate, dramatic potency"
"Foals and Frightened Rabbit are floppy-haired young men skirting the mainstream with their own cultivated, dynamic takes on guitar music"
"I Am Kloot's latest is an understated joy to behold... whilst being one of Britain's biggest rock bands comes naturally to Biffy Clyro"
"Solange is traversing into the realm of sensuous and very cool electro-pop - with help from Devonté Hynes"
"LFO's live set was a strangely disjointed event - fierce but forgettable, intense but unfulfilling"
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