There’s big trouble afoot with Doctor Who. As we reach the series finale with “The Reality War”, the Doctor is reeling. He’s lost control again and again in recent weeks. Never before have we seen the Doctor flailing quite so badly, outwitted and outmanoeuvred, constantly unable to match the evil genius of his enemies.
But if the Doctor is out of control, Doctor Who as a show has been out of this world. This has been its strongest series for years – only Peter Capaldi’s final series, in which his Doctor was paired with Pearl Mackie as Bill Potts, can rival it for creativity and consistency.
This is powerful and political science fiction, with Russell T Davies at the helm taking no prisoners. The themes have been huge. This series has challenged and called out the toxic influence of the manosphere and the terrifying implications of culture war proponents on the far-right.
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For this series, the makers of Doctor Who have taken the big bucks from the Disney Corporation and used them to hold a giant mirror up to the malevolent influence of current US politics.
Penultimate episode “Wish World” showed a dystopian alternative present in which the right-wing culture warriors, represented by conspiracy theorist Conrad Clark, had won – back-to-the-bad-old-days, but even worse. Extreme obedience demanded, LGBTQ+ people and disabled people thrown under the bus, women pushed out of the workforce and back into the kitchen.