Is there a moment? There are many moments, the entire thing has been moments since it was announced. But if there is one MOMENT, it’s this. Noel, looking taken aback by the scale of it all, says he’s delighted there are so many young people present. And there are, so many. And then he says, if you ever wondered what it’s like to sing this song with tens of thousands of your fellows, then here we go.
And the piano for “Don’t Look Back in Anger” hammers in on a clear, balmy Edinburgh night and then, well, it’s just about everything.
Everything about the Oasis comeback shows has been an exercise in scale. Some 14 million applications for 1.4 million tickets. A payday of £50-£100 million each for the Gallaghers, if they keep the wagon between the hedges. Oceans of booze sold – the Cardiff shows alone are said to have generated £4m for city centre venues – dynamic pricing chiselling millions out of eager fans. And bucket hats. So many bucket hats.
But what is the heart of it all? A band who split acrimoniously 16 years ago, to spend the intervening period publicly daggers drawn, who saw their latter concerts beset by toxic animosity, a frontman who frequently barely spat the words out and a sense of going through the motions. As soon as they finally announced the return, last August, everything changed.
On this, the final night on the first leg of the UK part of 41 global shows, it all becomes clear.
It’s the songs, of course. Noel Gallagher, one of the great melodicists of the last 40 years, used to spin them effortlessly from a golden loom. They are embedded in the collective psyche. Imagine writing songs so well known, and so many of them, that a couple of opening chords will have millions of people immediately singing. Imagine knowing that is in you, but reconciling it with the knowledge that that whatever you channelled might not be easily called forth again.