As I was walking past a coffee shop in Central London last week, I saw my old pal Barry McIlhenney inside. In the brief moment I glanced through, I could see he was, in typical fashion, holding court. I was in a real hurry and thought I’d catch him on the way back or ring him. I did think it odd he was there, early on a Saturday morning, but he always had an ability to surprise.
Then, a second or two later I remembered that Barry was dead. He died, suddenly, on 26 May this year. Quite why my mind decided to mess with me just then, who knows. Probably a man who looked a little like him. But there I was shaken, in that moment, and full of thoughts.
Barry was a friend and a mentor. From Belfast, he’d scaled the heights of magazine publishing and had several stories for every day of week about it all. He looked out for me, as he did for many, and helped us up and along. His death, at 67, was a shock and I miss him.
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At Christmas, there is a tug that so many people feel. The bright lights’ glare throws a shadow across those missing, temporarily or for good. There’s no easy way round it. And the generalised state of bewilderment settling on everything, uncertain, challenging, in flux, doesn’t help.
Last week I was asked for my favourite Christmas film. I said Nativity 2. Nativity 2 is not a great film. In many ways, it’s a poor film. Though I’m assured it’s better than Nativity 3. I haven’t yet sampled that earthly delight. In Nativity 2, David Tennant is a teacher who is trying to help a class of average kids triumph at a singing competition.