Behind the scenes

Inside the Big Issue: Amelia Dimoldenberg's opportunity issue

This week's guest editor is Amelia Dimoldenberg. “My big issue is that young people deserve better,” she told us

Inside the Big Issue: Amelia Dimoldenberg.

We welcome this week’s guest editor, Amelia Dimoldenberg. One of the most influential and distinctive voices of her generation, Dimoldenberg wants to see more opportunities for young people, especially within the creative industries, which is why this edition is dubbed ‘The Opportunity Issue’.

“My big issue is that young people deserve better,” she told us.

Buy Amelia Dimoldenberg’s guest edit magazine from vendors and the Big Issue Shop now

‘The Opportunity Issue’ is a fitting title. Every week for almost 35 years, Big Issue has given people who need a hand up the chance to earn their own income, learn essential skills and plan for their future from a more secure foundation.

Beyond the magazine, Big Issue Recruit and Big Issue Invest exist to unlock more opportunities for more people than ever before. Thanks to Amelia, her team, and the incredible list of contributors – both famous faces and the next generation of talent – who are bringing solutions to a very big issue. Tuck in.

Read more:

What else is in this week’s Big Issue?

Investigating the NEET crisis

Early this year, the number of young people Not in Education, Employment or Training (NEET) tipped into seven figures. That’s one million individuals aged 16-24 with their entire lives ahead of them coiled up like a spring, but with their foot off the accelerator. Stationary. Stuck. In this week’s Issue, we looked at why.

Advertising helps fund Big Issue’s mission to end poverty
Advertising helps fund Big Issue’s mission to end poverty

Tomorrow’s Warriors Opening doors to the music industry, all the way to the Mercury Prize

Tomorrow’s Warriors provides training, performance opportunities and talent development for aspiring jazz musicians from underrepresented backgrounds. It paved the way for the Mercury Prize-winning Ezra Collective.

The Edinburgh Fringe costs performers thousands. Why do they still go?

At the biggest arts festival in the world, costs have soared, bursaries have dwindled and breaking even is an achievement. Yet thousands of artists still spend money they may never recover to perform at the Fringe. We investigate what keeps them coming back.

Do you have a story to tell or opinions to share about this? Get in touch and tell us more

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Advertising helps fund Big Issue’s mission to end poverty

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