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Scene & Heard: The wild and wacky theatre project where kids write the plays

Scene & Heard: The wild and wacky theatre project where kids write the plays
At this theatre company the children are in charge, and there’s no limits to what their imaginations bring to life
How a groundbreaking theatre project is teaching prisoners there’s more to life than crime

How a groundbreaking theatre project is teaching prisoners there’s more to life than crime
Inmates at HMP Perth have been taking part in a project which strengthens bonds with their children through performance
Incredible story of how a Big Issue vendor found himself at heart of Occupy protests

Incredible story of how a Big Issue vendor found himself at heart of Occupy protests
Actor David Nellist has spent most of the year playing the lead role in the stage version of I, Daniel Blake but will be telling the remarkable real-life story of Big Issue vendor Jimmy McMahon in Protest Song over Christmas
Cowbois: This ‘big queer Western’ is subverting macho tropes and celebrating gender outlaws
Cowbois: This ‘big queer Western’ is subverting macho tropes and celebrating gender outlaws
It’s a Sin star Nathaniel Hall on abuse, finding humour in dark places and powerful new show Toxic
It’s a Sin star Nathaniel Hall on abuse, finding humour in dark places and powerful new show Toxic
Brassic FM: How 90s rave crackdowns foreshadowed attacks on our right to protest

Brassic FM: How 90s rave crackdowns foreshadowed attacks on our right to protest
This ambitious multi-location production of The Odyssey has created community theatre on the grandest scale

This ambitious multi-location production of The Odyssey has created community theatre on the grandest scale
‘I exist as two people’: Peyvand Sadeghian lays bare the politics of identity

‘I exist as two people’: Peyvand Sadeghian lays bare the politics of identity
The story of the world’s first drag ABBA tribute band

The story of the world’s first drag ABBA tribute band
‘I criticise Israel because I love it, not because I hate it’

‘I criticise Israel because I love it, not because I hate it’
Harold Shipman murdered my grandmother. Now I’m playing him onstage

Harold Shipman murdered my grandmother. Now I’m playing him onstage
Grenfell: in the words of survivors – ‘We want this play to sit alongside the campaign for justice’

Grenfell: in the words of survivors – ‘We want this play to sit alongside the campaign for justice’
Rocky Horror at 50: ‘A place for the marginalised’

Rocky Horror at 50: ‘A place for the marginalised’
As ‘I, Daniel Blake’ hits the stage, here’s why it’s needed more than ever

As ‘I, Daniel Blake’ hits the stage, here’s why it’s needed more than ever
Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women

Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women
Richard O’Brien: The Rocky Horror Show at 50 is a ‘rainbow event’

Richard O’Brien: The Rocky Horror Show at 50 is a ‘rainbow event’
Clean Break: A theatre company for women in the criminal justice system

Clean Break: A theatre company for women in the criminal justice system
A working class community’s fight to be seen for who they are… through theatre, bingo and a good feed

A working class community’s fight to be seen for who they are… through theatre, bingo and a good feed
James Norton: ‘A Little Life is the scariest thing I’ve ever done’

James Norton: ‘A Little Life is the scariest thing I’ve ever done’
The Great British Bake Off Musical review: Showstopper or soggy bottom?

The Great British Bake Off Musical review: Showstopper or soggy bottom?
Daniel Mays: ‘I had a burning desire to be noticed’

Daniel Mays: ‘I had a burning desire to be noticed’
Meet the young, care-experienced theatre-makers breaking stereotypes

Meet the young, care-experienced theatre-makers breaking stereotypes
Travis Alabanza: ‘If I can make an audience laugh then I can make them think’

Travis Alabanza: ‘If I can make an audience laugh then I can make them think’
‘The system isn’t an accident’: How a playwright is forcing us to ask questions about the hostile environment
