Our 2024 'working to end poverty' impact report is out!
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Review
Human Sacrifices review: As brutal as the name implies
Human Sacrifices review: As brutal as the name implies
Patricia Wants to Cuddle review: Spine-tingling moments of mystery
Patricia Wants to Cuddle review: Spine-tingling moments of mystery
What Guardians of the Galaxy Vol 3 owes to Doctor Who
What Guardians of the Galaxy Vol 3 owes to Doctor Who
The Imposters by Tom Rachman review: Dark humour and a flair for invention
The Imposters by Tom Rachman review: Dark humour and a flair for invention
Sleepwalk by Dan Chaon review: Both insane and insanely brilliant
Sleepwalk by Dan Chaon review: Both insane and insanely brilliant
Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women
Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women
Never Was by H Gareth Gavin review: 'A dreamy and promising debut'
Never Was by H Gareth Gavin review: 'A dreamy and promising debut'
A blast of Benidorm will make everything seem sunny
A blast of Benidorm will make everything seem sunny
Biography of X review by Catherine Lacey: 'A stroke of genius'
Biography of X review by Catherine Lacey: 'A stroke of genius'
Missing: A nifty tech thriller that raises the bar
Missing: A nifty tech thriller that raises the bar
The Mandalorian season 3 finale: Is this too much Star Wars?
The Mandalorian season 3 finale: Is this too much Star Wars?
Shy review: Max Porter's spectacular novel unpacks teen attitudes to masculinity
Shy review: Max Porter's spectacular novel unpacks teen attitudes to masculinity
Eddie Piller's electrifying trip back to Mod's second wave
Eddie Piller's electrifying trip back to Mod's second wave
Greek Lessons by Han Kang review: A luminous reflection on the difficulties of language
Greek Lessons by Han Kang review: A luminous reflection on the difficulties of language
The Long Form by Kate Briggs: Profoundly ambiguous, wonderfully unstructured
The Long Form by Kate Briggs: Profoundly ambiguous, wonderfully unstructured
The House of Doors by Tan Twan Eng review: Compelling drama set in the shadow of Empire
The House of Doors by Tan Twan Eng review: Compelling drama set in the shadow of Empire
Thirsty Animals review: A dystopian future 'impeccably depicted'
Thirsty Animals review: A dystopian future 'impeccably depicted'
Death Watch review: Killer timepieces and the emptiness of consumerism
Death Watch review: Killer timepieces and the emptiness of consumerism
God's Creatures: Paul Mescal flexes his brogue in artfully bleak Irish family drama
