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Film
Liam Neeson: "Our age of insularity is a big issue"
Liam Neeson: "Our age of insularity is a big issue"
Three Billboards Outside Ebbing, Missouri – Oscar tip fails to catch fire
Three Billboards Outside Ebbing, Missouri – Oscar tip fails to catch fire
Martin McDonagh: "Most men in the film business are illiterate pricks"
Martin McDonagh: "Most men in the film business are illiterate pricks"
Ease off on the moral panic – Hollywood's sex scandal is far more subjective
Ease off on the moral panic – Hollywood's sex scandal is far more subjective
Offbeat gems and Christmas classics – 'tis the season to support indie cinema
Offbeat gems and Christmas classics – 'tis the season to support indie cinema
James Bowen backs job training platform for homeless people
James Bowen backs job training platform for homeless people
Our week with Mark Hamill: "At first, I wondered if Star Wars was a comedy"
Our week with Mark Hamill: "At first, I wondered if Star Wars was a comedy"
May the Force be with these films facing Star Wars at the box office
May the Force be with these films facing Star Wars at the box office
Human Flow, review – Ai Weiwei's refugee crisis doc is necessary viewing
Human Flow, review – Ai Weiwei's refugee crisis doc is necessary viewing
Happy End, review – a dark and masterly portrait of family dysfunction
Happy End, review – a dark and masterly portrait of family dysfunction
Manifesto, review – film or high-concept art project? A triumph either way
Manifesto, review – film or high-concept art project? A triumph either way
Good Time, review – Robert Pattinnson reinvented in gritty bank heist drama
Good Time, review – Robert Pattinnson reinvented in gritty bank heist drama
Burt Ward: "I had the greatest time playing Robin"
Burt Ward: "I had the greatest time playing Robin"
Paddington 2, review – sticky sequel has the makings of a festive favourite
Paddington 2, review – sticky sequel has the makings of a festive favourite
The Killing of a Sacred Deer, review – one of 2017’s most compelling movies
The Killing of a Sacred Deer, review – one of 2017’s most compelling movies
Bloodlight and Bami, review – a glimpse behind the mask of Grace Jones
Bloodlight and Bami, review – a glimpse behind the mask of Grace Jones
One year after I, Daniel Blake - what has changed?
One year after I, Daniel Blake - what has changed?
I Am Not a Witch, review – Rungano Nyoni's directorial debut is spellbinding
