Like many young people growing up in small British towns, surrounded by injustice and disparity, it was punk rock that politicised Ren Aldridge. “I’d go see punk bands as a teenager in Bristol,” she says. “I was so inspired by what they had to say. The band Anti-Flag were massive for me. They were so outspoken about things they thought were wrong in the world.”
Punk gigs instilled in her a strong anti-capitalist outlook and when she moved to London for university aged 19 Aldridge joined a band, got involved in feminist activism and campaigned for anti-austerity. Since 2012 she has fronted feminist post-hardcore outfit Petrol Girls, one of the most exciting voices in the British punk scene. And she has continued her fight to build a new, fairer world, with one of her main focuses the movement Punks Against Sweatshops.
“Band T-shirts are central to the economy of being in a band,” Aldridge explains. “It’s literally how we all sustain ourselves. When Petrol Girls first started, we’d stay up all night screen-printing T-shirts so we could afford the get to the next show. The sad fact is though, that many bands are printing T-shirts that aren’t ethically made, they are made in sweatshops. And that’s where Punks Against Sweatshops comes in.”
The Punks Against Sweatshops campaign follows the devastating 2013 Rana Plaza building collapse in Bangladesh. The eight-storey building contained several garment factories with a predominantly female workforce: the day before the collapse, workers had identified cracks in the building’s ceiling and walls. They were ordered to work anyway: by the end, the final death toll was 1,134 and 2,500 injured people
The tragedy has become a symbol of the fight to secure better working rights, wages and care for people working in the garment industry, and prompted international calls from politicians and consumers for the fashion industry and retailers to be more transparent about their supply chain and corporate social responsibility.
“The majority of those working in sweatshops are women,” says Aldridge, “As well as dangerous working conditions, exemplified by the Rana Plaza, sexual harassment is rife in these places. Violence is rife. Child labour too. It would be hypocritical of me to be in a feminist band and then exploit women in that way by using sweatshop-made T-shirts.”
The aims of Punks Against Sweatshops are simple: get punk bands to start printing on ethically made T-shirts distributed by the British campaign group No Sweat, which supports sweatshop workers’ demands for a living wage, safe working conditions and independent trade unions. No Sweat’s shirts are made in workers’ co-ops, where the staff earn a living wage and have democratic control over their work, with profits going back into fighting for these goals.
#PunksAgainstSweatshops TAKE ACTION!
– Watch the film (https://t.co/TBkLGwdjId)
– Make the switch to sweatshop-free T-shirts (https://t.co/w2bO8es5si)
— Punk Ethics (@PunkEthics) June 7, 2019
As well as Aldridge’s Petrol Girls, backing for the Punks Against Sweatshops campaign is gathering pace, with punk titans Propagandhi and Dead Kennedys’ singer Jello Biafra in the vanguard.
“This campaign isn’t about any band,” insists Aldridge, whose group has just released its excellent second album Cut & Stitch. “We’re just trying to amplify the message. The campaign is about supporting workers’ rights and taking the lead from the workers themselves. We are just making a commitment to print our bands’ shirts in this way, and encourage others to do the same.”
No Sweat is working with trade unionists from Bangladesh on the campaign, and the cooperatives from which it sources its shirts are run by ex-sweatshop workers – including survivors of the Rana Plaza disaster. It’s giving workers a say in how their industry is run.
“The Western media often presents sweatshop workers as helpless, which they are not,” says Aldridge. “They’re fighting for better conditions – 50,000 went on strike in Bangladesh at the start of this year. They deserve our solidarity.”
The Big Issue is a multi award-winning magazine, edited by the British Society of Magazine Editors (BSME) current Editor of the Year.
It’s what Jay Kerr, the main co-ordinator of No Sweat – who has previously helped shine a light on the poor working conditions of Nike and Gap, as well as exposing the East London sweatshops used by Top Shop – describes as “a radical circular economy”.
In Bangladesh, a worker’s co-operative has been formed entitled Oporajeo (which translates as ‘invincible’). The two organisations are working in tandem to build a new incarnation of the global garment industry.