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Opinion

What is the meaning of home? It's complicated...

The Museum of the Home's new Rooms Through Time looks at dwellings and living spaces from the 17th century through to what we could all be living in come 2049

A rendering of what a converted flat could look like in the year 2049

London's Museum of the Home takes a look at what our living situation could look like come 2049. Image: Museum of the Home

What does home mean to you? This question is the concept behind Museum of the Home, a centre for conversation and debate on a subject that is both universally relevant but deeply personal. Each and every visitor to both our physical and digital spaces is an expert, with lived experience of home and home life – be that positive or negative or a complex and ever-evolving mix of the two.

Of course, the meaning of home is not always an easy question to answer. Home can be many things between bricks and mortar and heart and soul. Your idea of home might not be shaped by a building at all, it might be linked to neighbourhood, or the country in which you grew up, the people you’ve lived with or even a vague memory, passing feeling or dream of the future.

So, how does a museum begin to tackle the bigness of home in all its messy incompleteness? The traditional museum model feels inadequate – objects in cases are powerful catalysts for conversation but can only go so far. At Museum of the Home, we equally value our active issues-based public programme of events and partnerships, aimed at encouraging connection with some of the most pressing concerns of our time – climate justice, migration, food equality and homelessness.

The museum also has a long history of displaying room sets that imagine both the physical and emotional spaces that people have called home in the UK over the past 400 years. Recently, these spaces have been challenged by our visitors who want to see homes that better reflect the diversity of modern London and hear from the people whose stories have been previously underrepresented in cultural institutions. Visitors have also requested more kitchens, bedrooms and bathrooms, reflecting a widespread desire to glimpse the private lives behind the public façade of the urban street.

Our response has been to open our doors to the people and organisations who are best placed to tell these stories, sharing the museum space to co-curate the subject of home. We’ve created seven new interactive rooms and seven new stories of home. Each scenario focuses on a London story with global relevance. The personal is political and even behind closed doors we can be connected to the world beyond – through how we choose, or don’t choose to live our lives.

East London in particular has been a centre of migration for hundreds of years – people seeking safety and security in the capital and the idea of a ‘better life’. The 1956 ‘room upstairs’ is inhabited by an Irish couple, highlighting the role of the diaspora in post-war Britain through oral histories via the London Irish Centre. The 1978 terraced house – front room and garden tells the story of the children of the windrush generation through the eyes of artist and writer Michael McMillan. The 2005 high-rise draws on multiple testimonies of life in an LGBTQ+ flat share, as people flocked to East London from across the UK for its nightlife and community. A lively kitchen space in 2024 is where the Nyugen family hear a mother’s memories of Vietnam evoked by the flavours and smells of the evening meal preparation.

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We hope that, as visitors explore the new spaces, conversations will emerge around those vital social questions, as well as the personal memories evoked by the objects and narrativeson display:

Haven’t we always worked from home? Hearing the 1878 story of Bunoo, an Ayah (nursemaid or nanny), who is employed by a family returning from British India, highlights one of the many ways in which people have earned a living from a domestic setting.

Are we designing enough safe spaces for young people in our cities? A shared yard hopscotchoutside the 1913 Brick Lane tenement flat of the Delinsky family, invites a conversationabout childhood and play.

What is the role of house and home within a capitalist system? A display on London squats, from the 1940s to its criminalisation in 2012, raises questions around the past, present and future of housing in what is now one of the most expensive cities in the world.

How will we face the future? A mycelium-clad intergenerational living space will imagine life in the climate battered capital of 2049. Curated by Interaction Research Studio, we’ll be suggesting design-led solutions to some of the challenges we’re likely to face over the coming decades.

The meaning of home isn’t fixed, it’s always changing – from morning to night, from year to year, within our own lifetimes and through time. Museum of the Home needs to be a brave space, and a constant work in progress – supporting visitors to explore a fundamental part of what it means to be human.

Sonia Solicari is the director of the Museum of the Home, in London. The museum’s new Rooms Through Time galleries re-opens on 23 July.

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