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Film
Anora director Sean Baker on sweeping the Oscars and what his film has in common with Kes
Anora director Sean Baker on sweeping the Oscars and what his film has in common with Kes
Sean Baker is flying the flag for physical media and independent film
The Surfer review – Nicolas Cage rides a wave of desperation
The Surfer review – Nicolas Cage rides a wave of desperation
Riefenstahl director Andres Veiel on the lessons we must learn from Hitler's favourite filmmaker
Riefenstahl director Andres Veiel on the lessons we must learn from Hitler's favourite filmmaker
Den of Thieves 2: Pantera review – heist sequel has blood, sweat and De Beers
Den of Thieves 2: Pantera review – heist sequel has blood, sweat and De Beers
I was a migrant working in a warehouse. Then I got a role in a film about doing exactly that
I was a migrant working in a warehouse. Then I got a role in a film about doing exactly that
The Return – Ralph Fiennes embarks upon on a nail-biting odyssey
The Return – Ralph Fiennes embarks upon on a nail-biting odyssey
Jennifer Coolidge: 'I do think it's interesting that I've never been offered the part of a real winner'
Jennifer Coolidge: 'I do think it's interesting that I've never been offered the part of a real winner'
Jeff Goldblum: 'The universe is a wondrous, mysterious place – appreciate it'
Jeff Goldblum: 'The universe is a wondrous, mysterious place – appreciate it'
SIX The Musical star Aimie Atkinson: 'Henry VIII's wives had issues that women are still dealing with'
SIX The Musical star Aimie Atkinson: 'Henry VIII's wives had issues that women are still dealing with'
A Minecraft Movie director Jared Hess on why if you can find the time to play and create, it's worth it
A Minecraft Movie director Jared Hess on why if you can find the time to play and create, it's worth it
Sex work is 'just another option in London's gig economy', says Sebastian filmmaker Mikko Mäkelä
Sex work is 'just another option in London's gig economy', says Sebastian filmmaker Mikko Mäkelä
The End review – get prepped for a singalong apocalypse
The End review – get prepped for a singalong apocalypse
'They had nowhere to go': The story of rough sleepers left outside in London's Covid-19 lockdowns
'They had nowhere to go': The story of rough sleepers left outside in London's Covid-19 lockdowns
Like Tears in Rain review – Blade Runner's Rutger Hauer as we've never seen him
Like Tears in Rain review – Blade Runner's Rutger Hauer as we've never seen him
On Falling director Laura Carreira: 'We don't have to work so much and get paid so little'
On Falling director Laura Carreira: 'We don't have to work so much and get paid so little'
From Wicked to The Brutalist: What we learned from the biggest stars of this year's Oscars
From Wicked to The Brutalist: What we learned from the biggest stars of this year's Oscars
The Last Showgirl review – Pamela Anderson finds the pathos in Vegas
The Last Showgirl review – Pamela Anderson finds the pathos in Vegas
I'm Still Here director Walter Salles on the tragedy he never forgot: 'I felt very much lost'
I'm Still Here director Walter Salles on the tragedy he never forgot: 'I felt very much lost'
Clara Amfo: 'You will never lose learning about how somebody else lives differently to you'
Clara Amfo: 'You will never lose learning about how somebody else lives differently to you'
This bizarre tale of a snail-obsessed misfit might be the unlikely hit of the Oscars
This bizarre tale of a snail-obsessed misfit might be the unlikely hit of the Oscars
From Star Wars to David Lynch: How my obsession with obscure 80s films rewired my tiny brain
From Star Wars to David Lynch: How my obsession with obscure 80s films rewired my tiny brain
The Seed of the Sacred Fig: Inside the Iranian film that a brave cast and crew risked everything for
The Seed of the Sacred Fig: Inside the Iranian film that a brave cast and crew risked everything for
The Brutalist director Brady Corbet: 'This film will, unfortunately, never not be relevant'
The Brutalist director Brady Corbet: 'This film will, unfortunately, never not be relevant'
Saturday Night captures the energised rush of an US institution
Saturday Night captures the energised rush of an US institution
Hard Truths director Mike Leigh: 'I make films for audiences to see, not for awards'
