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Film
No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police
No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police
William Friedkin on 'rip-off' Exorcist sequels, Scorsese selling out and dressing as Ali G
William Friedkin on 'rip-off' Exorcist sequels, Scorsese selling out and dressing as Ali G
Kokomo City: 'Who doesn't want these girls to be safe?'
Kokomo City: 'Who doesn't want these girls to be safe?'
How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation
How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation
Kalvin Phillips: 'This generation of players can inspire young people'
Kalvin Phillips: 'This generation of players can inspire young people'
Does Mission: Impossible prove Hollywood has forgotten how to end a movie?
Does Mission: Impossible prove Hollywood has forgotten how to end a movie?
John Rhys-Davies: 'We learn from our exposure to fear'
John Rhys-Davies: 'We learn from our exposure to fear'
Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny
Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny
Peter Crouch: 'It felt like the whole world was ridiculing me'
Peter Crouch: 'It felt like the whole world was ridiculing me'
Asteroid City is a perfectly timed meditation on grief
Asteroid City is a perfectly timed meditation on grief
A Dispatch from '24 Hour Wes Fest', or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test
A Dispatch from '24 Hour Wes Fest', or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test
The Wicker Man at 50: Woozy, semi-surreal and hugely influential
The Wicker Man at 50: Woozy, semi-surreal and hugely influential
Glenda Jackson defied expectations to succeed in acting and politics
Glenda Jackson defied expectations to succeed in acting and politics
Jayde Adams on how Take That movie Greatest Days captures the 'intensity of fandom'