What music was the biggest for you?
I was never really a big music guy. I was too busy making Airfix models and pretending I was a soldier. I did listen to the Monty Python albums and I loved them because I never had heard humour and music put together. I know Bruces’ Philosopher’s Song off by heart. I used to recite it in the army and people would tell me off. Then I ended up doing philosophy in university. When those names came up, I was like, ‘I know those guys. He’s a heavy drinker.’
What was the big political issue from your youth?
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The sinking of the Rainbow Warrior, which was our Greenpeace ship. France sent in some spies and they blew it up. They got captured, we put them in prison for a bit in New Zealand, and then they got extradited back to France and were made heroes. It was a huge deal in New Zealand because it was an act of terrorism on our country – by our allies. It was really quite shocking.
Your biggest success and failure?
It’s hard not to see my work on Flight of the Conchords as my biggest success. That opened the door for future work. Failure? Yet to fail. No, I never won the Billy T Award, which is a comedy award back in New Zealand. I got nominated twice, never won it. To be honest with you, that only propelled me further, to leave the country. I had confidence in my own comedy to know that I was good enough. So I think that’s an example of a fail that encourages you to do better.
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Big book?
Lost in the Funhouse, the story about Andy Kaufman. I used to watch Taxi and I thought he was brilliant. Then I found out more about him in university, how he created guerilla theatre and would do very avant-garde comedy. So that book, it was a really good read. I was quite influenced by the art of Andy Kaufman as a comedian, because he was very abstract.
Was the New Zealand film industry big at the time?
Peter Jackson’s films were big. Bad Taste, Braindead. He was so innovative, but with a really dark, dry sense of humour that that Kiwis have. Jemaine [Clement] and Taika [Waititi] and I were quite influenced by the Christopher Guest films as well and obviously that came out eventually when we did our own Flight of the Concords mockumentary style thing. Spinal Tap was a big influence on us.
What’s your current big issue?
I guess the same issue that everyone’s got here in the US: what is Trump going to do next? How far is this going to go before we implode? There’s a lot of people really unhappy with him pulling apart the government. I’m not a political person but that’s the biggest worry for me living here. We keep looking at the news thinking, ‘OK, when is the point when we might have to leave?’ We’ve got Canadian friends who have left, some of our best friends, because of how he’s treating Canada. It’s just the goonish behaviour, him essentially trying to make America his own company that he’s running.
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The other situation that freaks me out is the artificial intelligence phenomenon that’s moving so fast we can’t keep up with it. I think humanity is getting left behind from itself. There’s nothing better than humans going to watch other humans entertain each other. If I can get out there and entertain people, that’s what I’m offering.
Rhys Darby’s show The Legend Returns is touring the UK and Ireland from 31 May. rhysdarby.com
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