Dick Whittington was a fool. He came to London expecting to find the streets paved with gold, and for London to be the place where everything happened. Millions have followed him since. I did it myself.
Dick and I should have stayed in the margins. Everything, in every domain, happens there and only there, whether in evolution, religion, literature, philosophy, cookery, painting or anything else. Cities are fraudulent. They promise so much and deliver so little. The same goes for all centres. Of course things happen geographically in centres, but look closely, and you’ll find that the people who make them happen are all edgy animals, living on the fault lines within the centres, made edgier by grinding against the other edge animals there. Look at the real citadels of centrism – the smoky rooms and the chambers that reek of power. Nothing really new happens there.
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Our biology reminds us that we’re constitutionally edge creatures. Extremes – up to a point – are good for us. There’s even a word – hormesis – to describe it. Daily cold showers reduce absences from work by nearly a third in one recent study. Stresslessness is dangerous. Sofas are deadly.
If that’s what we are, you’d expect the best, truest and most resonant art to come from the pens, brushes and chisels of the edges, and to be celebrations, expositions and denunciations of the edge where we all live. And that’s what we find. Even the apparent counter-examples, on close inspection, turn out to make the point.
The glory of Renaissance Florence, financed by the Medicis, the centrist’s centrists, was the child of an unlikely liaison between the Franciscans (the high priests of edginess, poverty and renunciation) and the Medicis (who saw themselves as teetering on the brink of damnation, and thought that they could buy their way out of the flames by paying for holy things).
